Patrick Fugit

Two mysterious siblings find themselves at odds over care for their frail and sickly younger brother.

A group of Confederate soldiers hole up in an abandoned plantation after robbing a bank and find themselves at the mercy of supernatural forces.

Kyle Barnes has had a series of misfortunes in his life; his mother would beat him as a child and he was accused of attacking his own daughter. After attending an exorcism in his native town, he is convinced his mother and his wife were possessed and he was not the source of them going bad. He therefore teams up with Reverend Anderson to try and save people that are possessed by demons while putting up with the residents of his town who think he's bad news and would deserve to be in jail.

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

Two women go away together. One meets a man that distracts her from being there for her friend. The betrayed friend says, "One day you will need me, and then I won't be there for you." When they next go away together the roles are reversed, the threat becomes reality. But the two situations are not exactly the same - the man in the first scenario was benign, the man in the second scenario is toxic. That and other differences displace the parallel between the two events.

A behind-the-scenes look at the making of the first American family to be the subjects of a reality TV show.

Andy Sargentee is a decent guy and the town's favorite failure: an unemployable dreamer whose ex's husband's wealth intimidates Andy to such an extent he does little with his teen son. Andy's new idea is for Butterface Fields to be the first town to band together to make the first full-length feature amateur adult film. He recruits five regulars at Floyd's Bar to contribute $2000 each. They get the kid at the video store, whose camcorder is constantly on, to be the cinematographer. The pal they all call "Some Idiot" volunteers to be writer-director. Otis becomes producer. Now, can they find actors, and especially, women? Can a pornography project give Andy self-respect?